Liv Austen is yet another example how powerful a music discovery tool Twitter is these days, as we crossed paths on there last year, and I was immediately drawn to her voice, and piano playing. This debut EP from Liv actually came out late last year, but with Christmas and man flu (what, no sympathy?) I’m only now getting round to giving it the attention it so richly deserves.
The first track, Rain On My Side, opens with some unmistakably country stings, before Liv’s voice joins them. It’s almost instantly that you hear these vocals that have such wonderfully smooth tone and clarity, and wonder why you haven’t heard them before. It’s great to hear a song that extols the virtues of rain and storms, as they are both things I love to sit inside and watch, and listen to. The metaphor of rain washing away the lonely feeling works well too, away from my literal interpretation!
Breathe Out starts a bit rockier, thank to the guitar intro. The song softens with Liv’s vocals, but then builds nicely to the chorus. It’s a song that has Liv assuring us that she’s fine on her own, but she later declares there is nobody out there for her, and the confidence turns to vulnerability. Even when taking it up a gear, Liv’s voice never falters, and retains that creamy resonance throughout.
I’m almost certain that The Guts You Always Had is the song I heard last year, as the tip toeing piano feels very familiar. That’s Liv on Piano in case you were wondering, because as well as a singer and an actress, she’s a pianist too. This is one of the song’s where I visualise (if you’ve read my reviews before you’ll know the visualisation is a big part of music for me) Liv sitting at the piano with a spotlight picking her out on an otherwise dark stage. This is the one, while not taking anything away from the other songs, that takes Liv to the next level, and is a gorgeous song, both in the sound and the lyrics. It tells the tale of her relationship with her sister and the contrasting traits they possess. There are times when the song makes me question whether both sisters are still with us, but it works just as well either way.
The EP ends finishes the title track Working Man’s Dream, which could be just as much at home in a honky tonk bar in the southern states of America as it is in Liv’s hometown of London. It’s an incredibly catchy song talking of the desire to succeed as a singer, which ends with a back to reality slowing of the tempo and stripped down vocal. It’s as if the end of the song is Liv waking up from her own dream. It’s an incredibly radio friendly and upbeat song that would give Liv the opportunity to have a lot fun performing live.
It’s an EP of such high quality that I do think Liv Austen is a name that deserves to be known by a lot more people, and coincidentally she was announced to be performing at Country To Country 2015 on one of the pop up stages just today. You can catch her in the Brooklyn Bowl on Saturday 7th April at 4pm, and based on the evidence of this EP, I urge you to do just that. In just 4 songs, Liv shows incredible versatility in her voice and style and is obviously a very talented singer / songwriter, appealing to both fans of modern and traditional country music.